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From the Past

Films on the to-do list

  • Armageddon Time
  • Black Widow
  • Chimes at Midnight
  • The Killing of a Sacred Deer
  • Last Christmas
  • Remember Sunday
  • Shazam! 2
  • Thor: Love and Thunder
  • Spy Guys

The Borrowers Aloft by Mary Norton (1961)

Book review: The Borrowers #4: The Borrowers Aloft by Mary Norton (Puffin Books, 1997 [1961], from The Complete Borrowers)

All in all, it was a happy summer for everyone the year Pod, Homily and Arrietty settled in the model village of Litte Fordham. They could not have found a more perfect place to live in – a complete village tailored to their size and visitors kept leaving things – a plus for all Borrowers.

Our Borrower family have made it to Little Fordham, the model village built by an old man, Mr Pott, for the love of model-making. It’s like Borrower heaven – a whole town with buildings just the right size for a Borrower, and the borrowings are great too, what with all the visitors and all.

Problem is that somewhere across the river there’s another model village, run by the Platter couple. When the unscrupulous Platters discover that the rival village has got living models, a plan is quickly hatched: to kidnap the living models! And so the Clock family end up spending the winter as prisoners in the Platter loft, trying to work out how to get out.

There are several interesting things about this book. First of all, it takes several chapters before we get to read about the Clocks from their perspective. The first chapters are all about how Mr Pott came to set up his model village and how Miss Menzies is helping him – and then Miss Menzies talking about the little people who have come to live in the model village, while Mr Pott only lends her about half an ear.

The second is that this book is sort of … political. Or perhaps “political” is the wrong word, because I don’t mean Norton has suddenly decided to take a stand in support of a political party. It’s just that with this book more than anything, readers are bludgeoned by “GREED IS BAD” and such messages, whereas before she was a little more subtle with it, or it didn’t feature so much at all.

Mr Pott didn’t start building Little Fordham to make money – he did it out of love of the craft. He started building miniature replicas of his village because he had an accident and had little else to do. People started being interested in seeing the miniature village, and he’d eventually ask for small donations so that he could keep building.

This is in stark contrast to Mr Platter, who realised that if the old man could make money from having a miniature village, SO COULD HE. So he quickly bought a number of model houses, set up a miniature railway and charged people entry. In a bid to make more money, his wife started a little café that people could visit after being around his miniature village. However, they’re doing everything from the perspective of wanting more money, and are heavily invested in how many visitors come through the gates, so they see Mr Pott’s hobby project as an arch enemy. Whatever Mr Pott does, the Platters can do one better.

And of course, when little people are spotted in Little Fordham, the Platters think it’s a cunning move to bring them out of business – and so, they decide to steal them and put them in a custom-built glass-fronted house so that the little people (i.e. Arrietty, Pod and Homily) can never have a moment’s privacy.

There are all kinds of messages to the reader here. I wonder what Norton thought about zoos.

Not to mention that before, there wasn’t really the concept of people being evil, for want of a better word. The humans were either friendly (the Boy, Aunt Sophie, Tom), or “OMG get it out of here!!” (Mrs Driver). Even Mild Eye wasn’t all that bad, despite wanting to capture the Clocks and show them off for money. He was more of a bumbling buffoon than an actual threat to their safety. The Platters, on the other hand, are truly villainous. Cunning, crafty and yes, greedy.

It’s a definite gear change in the story, and it makes it suddenly much, much darker. But at the same time, it still works. Despite throwing a real depression into the mix. Good thing young Arrietty never loses her hope entirely, or the ending wouldn’t have been particularly happy.

4.5 out of 5 gas fires.


An easily distracted and over-excited introvert who never learns to go to bed at a reasonable time. Enjoys traveling (when there's not a plague on), and taking photos of European architecture. Cares for cats, good coffee and Boardwalk Empire. A child of her time, she did media studies in school and still can't decide what she wants to be when she grows up.

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